4/24/2023 0 Comments Paul weller lyric![]() They seem much closer to the normal… without being condescending, but I think that if you went out and looked about Britain you’d find a hell of a lot of people like Paul. They seem more of a part of what British youth is about. Apart from the fact that superficially the bands look similar. The thing is that if you’ve got something you passionately believe in, then you’ve got to stick to it. I think The Jam are really important in the role they’re playing and I think that it’s so good that Paul is solid about it. Pete Townshend: The song that always gives me the willies is “Mr Clean”, because it’s like, “Don’t come near me, don’t contaminate me.” There’s something about that thinking about people in that position: like politicians, as though they’re another kind of human being. And before you know it, a song has started to take shape. I bash away on an instrument – in the early days a guitar, increasingly a piano – and I come up with a random chord sequence, or a riff that I like, and I work from there. That’s basically what I’ve done ever since then. “We used to have a knackered old piano under the stairs of our house in Woking, and I used to bash away on that. ![]() Those structures have stuck with me ever since. I grew up listening to stuff like The Beatles and Motown: songs with a verse, a bridge that led into the chorus, a little middle eight just to change things up, then maybe a little solo or a key change. “I’m obsessed with the craftsmanship of songwriting. When I play gigs I find thousands of people singing along to songs that were written before they were even born. I’ve grown to respect that, for 30 years, people have been dancing or singing or snogging or fighting or fucking to these songs. I used to have a problem playing some of the older songs, but I’m much more comfortable with my whole back catalogue now. This is a record that buzzes with ideas, it's giddy with the noise it makes, and once its initial rush fades away, it still has plenty to offer in substantive songs and sheer sonic pleasure.Paul Weller: “The 30 Greatest Paul Weller Songs? You’ve got more than 300 to choose from, stuff I wrote with The Jam, the Style Council and all the solo stuff. As good as these songs are - and they are, whether it's the sly self-laceration of "That Dangerous Age" or the gentle sway of "By the Waters" - what truly defines Sonik Kicks is, well, its aural stimulation. Aside from a slight hint of Krautrock, filtered through Berlin-era Bowie, there's no unexpected new sound or style here, but Sonik Kicks vibrates with vitality, Weller and his co-producer Simon Dine finding unexpected connections and crevices within his signature vintage soul, mod rock, and progressive folk. What's striking about the record is how much mileage he gets by rearranging old tropes, finding freshness in familiar sounds twisted so heavily they no longer sound comfortable. Some of this contains echoes of the sprawling, picturesque double-album 22 Dreams, the 2008 record that began his latter-day renaissance, but Weller is determined not to repeat himself on Sonik Kicks, pushing himself into startling fresh territory with abandon. Sonik Kicks delivers upon its titular promise immediately, coming to life with the stuttering electronic pulse of "Green," which immediately sweeps into a brightly colored psychedelic chorus, one of many dense collages and sudden shifts Paul Weller offers on his 11th solo album. Take the title of Sonik Kicks as literally as that of its predecessor, the galvanizing 2010 Wake Up the Nation.
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